Tuesday, November 18, 2003

A CONNECTICUT YANKEE (1931)

My *second* Will Rogers movie, and more fun than JUDGE PRIEST. I find Mark Twain's novel rather heavy-going, but this is a delightful movie. I still don't see Rogers as much of an actor, but when he gets off his dry zingers, he usually hits the mark. He plays the owner of a radio repair shop (and radio station) in a small Connecticut town--we first see him as he introduces a vocal group on the air who sing "Times Are Hard, But So's Your Old Man." On a stormy night, Rogers has to deliver some parts to a creepy mansion; while there, he meets an eccentric group of folks. One young man (Frank Albertson) is dressed up in a suit of armor, chasing a young woman (Maureen O'Sullivan) around the house. Another woman (Myrna Loy) seems to be after both of them. The wacky patriarch (William Farnum) claims to have invented a machine that can tune into sound waves from the past. Soon after Rogers hears what seems to be a message about King Arthur, a suit of armor falls on him. He is knocked out and dreams that he's back in Camelot and the various family members (as in WIZARD OF OZ) are present as well: Farnum is the King, Loy is Morgan Le Fay, etc. Rogers uses his knowledge of future events and technology to become Sir Boss and he introduces telephones, cars, guns, and tanks, and eventually a bomb with which to fight the evil Loy.

The sets and costumes are fine, especially in the creepy old house at the beginning. There are some amusing lines: On arrival, Rogers asks the Camelot citizens, "Canst tellest me where in the helleth I am?" There are jabs at topics such as government, warfare, and business, and Rogers says that advertising is what "makes you spend money you haven't got for things you don't want." (Guess there's nothing new under the sun!) Rogers' best acting is when he uses his foreknowledge of a solar eclipse to appear to be conjuring the eclipse himself. He also gets to lasso a knight during a tourney. Loy and Albertson are good, but O'Sullivan doesn't have much to do. The bitter tone of Twain's finale is carried over here, although the ending, back at the old house where Rogers discovers why everyone was acting strange, is upbeat. Overall, grand fun and highly recommended.

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