Friday, November 07, 2003

HITTING A NEW HIGH (1937)

Mediocre RKO musical which established once and for all that opera singer Lily Pons would never be a movie star. Pons plays Suzette, a singer with a pop band headed by boyfriend John Howard (Kittridge in THE PHILADELPHIA STORY). Her dream is to sing opera, but Howard keeps her away from her goal. A promoter, Jack Oakie, has a scheme to help her: he takes her to Africa and passes her off as Oogahunga, a legendary bird girl to be discovered by opera lover Edward Everett Horton. Back in New York she keeps up a double life, singing with Howard and preparing to make her opera debut with Horton's backing. Eric Blore, a clarinet player, sees an opening and makes a public claim to be the bird girl's father. Subterfuge and double crosses abound. I think there was a happy ending for all concerned, but frankly I lost interest in following the convoluted plot. Pons and Oakie both lack charisma; Horton and Blore provide a couple of good moments, and Howard has some potential in the beginning as a romantic leading man, but the movie loses steam quickly. The "fake bird girl" idea isn't bad; perhaps Fred & Ginger could have pulled it off. There is one good song, "Let's Give Love Another Chance," but that's not enough for me to be able to recommend the movie. Directed by Raoul Walsh, who was better with his later tough-guy pictures (THEY DRIVE BY NIGHT, HIGH SIERRA, WHITE HEAT).

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