Tuesday, October 05, 2004

DR. RENAULT'S SECRET (1941)

This is a B-movie with a little more gloss than usual courtesy Twentieth Century-Fox. The story combines thematic elements from ISLAND OF LOST SOULS (mad doctor, animal experimentation) with the style of "old dark house" thrillers like THE CAT AND THE CANARY, and is quite successful within its B-horror film parameters. Shepperd Strudwick (billed under his birth name, John Shepperd) arrives in a small French village to see his finacee (Lynne Roberts), who is living with her uncle, the research doctor of the title (George Zucco). Of course, we know from the title that Zucco will eventually display some dark side to his personality, but in the beginning, most everyone seems likeable, even Noel (J. Carrol Naish), an assistant to Zucco, who has a creepy look and manner about him that is difficult to pin down, though he seems more odd than sinister. The only character we actively do not like is ex-con Mike Mazurki, just out of jail and clearly ready to raise trouble. A drunk who had crashed in the motel room that was supposed to go to Strudwick is murdered and suspicion falls on both Naish and Mazurki. Naish has a sixth sense about animals, which we see when he avoids a car collision with a dog, but later when that dog is found dead, hanging from a tree, Naish is the main suspect. Strudwick soon discovers that Zucco has been engaging in some extreme experiments with animals, and Naish turns out to be the result of one of those experiments, an ape turned into a man. Does that mean that he's also a brutal killer? The hour-long film moves at a good clip, with an exciting climax. The sets and lighting add to the atmosphere (as does a short scene involving a hand reaching out of a secret wall passage), and the acting is more subtle than one usually finds in a mad scientist movie, with Zucco and Naish particularly good. The doctor's secret is revealed in an interesting fashion, not in direct flashback but through a narrated diary accompanied by photographs. This is one of those films I remember cropping up a lot on Chiller Theater back in the 60's but is harder to find today. Worth seeing. [FMC]

No comments: