Tuesday, December 21, 2004

Some Unorthodox Christmas Viewing Choices

I'm a big Christmas movie fan and generally, I'm happy settling in with such obvious choices as MIRACLE ON 34TH STREET, IT'S A WONDERFUL LIFE, HOLIDAY INN, or one of the many versions of A CHRISTMAS CAROL out there. But I've also kept track of films which have some tie to the holidays, even if Christmas themes are not central to the story. One of my favorite non-Christmas holiday movies is THE MAN WHO CAME TO DINNER (1941). Monty Woolley plays a famous radio commentator (based on the real Alexander Woollcott--imagine a Paul Harvey/Rush Limbaugh combo who is intellectual and sentimental on the air and a snarky snob off the air) who falls on ice while in a small town in Ohio and winds up stuck living with a family for three weeks around Christmas. He's nasty to everyone around him; Bette Davis is his secretary, who has to run interference for him. She falls in love with the local newspaper editor and wants to quit her job to stay in Ohio, but Woolley plots to keep her by getting sexy star Ann Sheridan to arrive on Christmas Eve to break up their love nest. Woolley is the whole show here, sneering and throwing tantrums and occasionally being surprisingly charming. Sheridan chews the scenery to wonderful effect, and Reginald Gardiner is nicely flamboyant as a fictionalized Noel Coward, leaving Davis to strike a balance by underacting. Some of the cultural references are dated now, but the humor is not. As many times as I've seen this (at least twice a year for the last 18 years), I still laugh out loud frequently. In addition to other fine films which are set wholly at Christmas, such as CHRISTMAS IN CONNECTICUT and REMEMBER THE NIGHT, there are others in which some or much of the action is set during the holidays; the following are all ones I can recommend:

Two movies that are set mostly at Christmas but which are not necessarily programmed often during the holidays are BELL BOOK AND CANDLE (1958) with Kim Novak as a witch who snags James Stewart with a love spell (kind of a forerunner to the 60's TV show Bewitched) and THE SHOP AROUND THE CORNER (1940), also with Stewart, this time doing the snagging, via secret pen-pal letters, of co-worker Margaret Sullavan. Both are wonderful movies with strong supporting casts and would make perfect Christmas Eve viewing.

Other comedies with holiday settings: TRADING PLACES (1983) is one of Eddie Murphy's funniest movies, with fine support from Dan Ackroyd, Jamie Lee Curtis, Denholm Elliot, Ralph Bellamy, and Don Ameche--it climaxes with a wild New Year's Eve train ride; THE THIN MAN (1934) is the first of the Nick and Nora Charles mysteries--in this one, William Powell manages to stay pretty much soused all though the holidays, and Myrna Loy is terribly tolerant; DESK SET (1957) is a late-period Spencer Tracy/Katharine Hepburn romantic comedy with an amusing Christmas party scene; THE APARTMENT (1960) with Jack Lemmon and Shirley MacLaine is a more cynical office-romance comedy set at Christmas.

One of my favorite holiday scenes in a non-Christmas film is in AUNTIE MAME--the scene, set during the first holiday season of the Great Depression, is sad, funny, and romantic. GONE WITH THE WIND also has a brief scene at Christmas, when Ashley Wilkes gets a short holiday leave during the Civil War. Any version of LITTLE WOMEN will have a heartwarming Christmas scene, early in the film. My favorite version is the most recent one (1994, with Susan Sarandon), but the Hepburn one from 1933 is quite good as well. THE UMBRELLAS OF CHERBOURG (1964) is a fully-sung musical, in French, about a star-crossed love affair, with the sad but not tragic ending occurring at Christmas.

There are several wartime films with Christmas scenes (they make for a good tearjerking atmosphere); some of the best are SINCE YOU WENT AWAY (1944, with Claudette Colbert), I'LL BE SEEING YOU (1945, with Ginger Rogers and Joseph Cotton), THREE COMRADES (1938), THE WAR AGAINST MRS. HADLEY (1942), and THE STORY OF G.I. JOE (1945).

Some non-wartime tearjerkers: ALL MINE TO GIVE is about a family of orphans who have to split up on Christmas day; THREE GODFATHERS is a 30's Western that has Chester Morris saddled with an orphan (it was remade in the 40's with John Wayne); PEYTON PLACE (1957) has a Christmas Eve scene involving attempted rape and murder; there are sad holiday scenes in a couple of Douglas Sirk movies: IMITATION OF LIFE and ALL THAT HEAVEN ALLOWS. There are short holiday scenes in movies as different as MY COUSIN RACHEL, NIGHT AND DAY, THE GODFATHER, and THE MOTHMAN PROPHECIES. I may watch some of the above films in the next few days, but I'll also be re-watching the stories of Ebenezer Scrooge, George Bailey, and a reindeer named Rudolph.

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