Saturday, January 29, 2005

PENNIES FROM HEAVEN (1936)

Disappointing Bing Crosby musical from the days before he hit his stride at Paramount in GOING MY WAY and the Road movies with Bob Hope. Crosby is fine; the real problem is the screenplay, a hodge-podge of vaguely interesting ideas that don't get developed very well. We first see Crosby in prison, finishing up a sentence for smuggling and playing the lute (!) from his cell. A man headed for the electric chair asks Crosby to deliver a letter for him when he gets out and Crosby, a restless traveler (otherwise known as a hobo), agrees. The killer tries to make amends to the family of the man he killed by giving them a house he used as a hideaway, and for the family (teenager Edith Fellows and grandpa Donald Meek), the "gift" comes just as a social worker (Madge Evans) is about to send the girl to an orphanage. Fellows gets a crush on Crosby and he feels obliged to stick around to help them get on their feet. The dilapidated house they move into is supposedly haunted, so Crosby manages to get some backing to turn it into the Haunted House Cafe, but those plans go awry, and the rest of the movie consists of Crosby trying to help Meek and Fellows gain a financial foothold so the girl won't become a ward of the state. Of course, an improbable romance develops between Crosby and Evans, and despite a daredevil accident, a hospital stay, and a brush with the law, there's a happy ending for all. If the movie had stuck with the restaurant idea (which may have provided some inspiration for the set-up of the later Crosby classic HOLIDAY INN), it might have worked, but there are just too many disparate plot strands which are rushed through in the last half hour. Fellows is appealing as a tomboyish teen and Louis Armstrong has a small role as a musician who helps out at the ill-fated opening of the cafe. The title song, sung twice, is fine, and the first ten minutes is interestingly moody for what becomes a run-of-the-mill musical romance. The DVD from Columbia is one of their better looking efforts, though it's not as clean-looking as the Crosby Paramount movies from the 40's that Universal has issued. Aside from the title song and the depression setting, this has nothing in common with the much more interesting 1981 Steve Martin musical. [DVD]

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