Saturday, April 30, 2005

THE GORILLA (1939)

An incredibly derivative comedy-thriller which shows why the Ritz Brothers are no longer fondly remembered in the collective pop culture consciousness. A killer known as the Gorilla is terrorizing the town; reporters seem to think that an actual gorilla is doing the killings, but notes are left at the scenes of the crimes. Lionel Atwill receives a note warning him that he is next and will be murdered at midnight, so he hires three detectives (the Ritz Brothers) to protect him. Unfortunately, they are totally inept at their job and at midnight, the lights go out and Atwill vanishes. The brothers stay on the case, investigating the houseful of suspects, including niece Anita Louise, her boyfriend Edward Norris, the creepy butler (Bela Lugosi) and a mysterious stranger (Joseph Calleia) who claims to be another detective. It turns out (Spoiler Alert!!!) that Atwill faked his own disappearance and that Calleia is the real killer. As a comedy team, the Ritzes fall somewhere between the Marx Brothers and the Three Stooges, much closer to the Stooge style of slapstick. They're not really my cup of tea, but I did laugh at their antics more often than I expected to. The screenplay, filled with "old dark house" elements from THE BAT WHISPERS and THE CAT AND THE CANARY, is based on a play by Ralph Spence which had been made into a movie twice before, but the plot specifics are also very reminiscent of a 1933 Chester Morris B-film called TOMORROW AT SEVEN (reviewed 11/17/01) which Spence wrote, apparently plagiarizing himself. Patsy Kelly is fun as a skittish maid, and Lugosi, who doesn't have much to do, winds up being a good guy. Not a great movie, but it's so good-natured that it's difficult to dislike. [TCM]

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