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As a period piece, this is fun in spots. The director, famous cinematographer Jack Cardiff (BLACK NARCISSUS, THE AFRICAN QUEEN), uses lots of trippy color effects when we're inside her head, though there is no drug use, or even drinking, at all. If you make it through the weird opening sequence, you'll probably stick around for the whole thing: Faithfull, waking up one morning, has a swirly vision of circling birds and a dream of her husband playing a tedious cello piece in a circus spotlight while her lover rides rings around him on a motorcycle. Faithfull is lovely and has lots of screen presence, and is glimpsed naked once or twice. She and the wildly sexy Delon have good chemistry, though for a movie that is mostly set inside Faithfull's head, we never get much insight into her character, or Delon's for that matter. Obviously, Rebecca is feeling smothered, but we never quite see how or why--she does say at one point that her husband's reasonable nature has turned her into a bitch--and the fact that she is killed in the end for seeking freedom complicates the message. There are some truly ludicrous lines to be cherished: "Sometimes it's an instinct to fly"; "Rebellion's the only thing that keeps you alive"; "Your toes are like tombstones." Most of the motorcycling that Faithfull does is either in front of a rear projection screen or while obviously being towed by another vehicle. The sex scenes aren't all that sexy; the last one, in which Delon whips Faithfull with a bunch of roses while she's on top of him, has potential, but as soon as it gets interesting, the color solarization starts up again and you can't tell what the hell's going on. The Redemption DVD print is not in the best shape, but it's presentable. [DVD]
1 comment:
I love this movie, but then it's the sort of movie I would love. Nothing much happens, but it happens with style.
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