Though this movie doesn't try for social commentary on substance abuse, neither does it sugar-coat the problems of a recovering alcoholic, and it bounces back and forth between comedy and melodrama. Occasionally it veers off into fairly sappy territory, especially in a late scene between Lupino and Wilde, but for the most part it keeps its balance, mostly thanks to a solid performance by Woolley who isn't afraid to make his character quite unlikable sometimes. Allgood is also quite fine, doing an understated turn in an unusual role. The opening scene with Woolley as the drunk Santa was like the opening of the later MIRACLE ON 34TH STREET from the viewpoint of the drunk, and the way that sequence straddles the comedy/drama line is perfect. The title refers to the traditional starting time of Broadway plays. [DVD]
Wednesday, January 08, 2014
LIFE BEGINS AT EIGHT-THIRTY (1942)
Though this movie doesn't try for social commentary on substance abuse, neither does it sugar-coat the problems of a recovering alcoholic, and it bounces back and forth between comedy and melodrama. Occasionally it veers off into fairly sappy territory, especially in a late scene between Lupino and Wilde, but for the most part it keeps its balance, mostly thanks to a solid performance by Woolley who isn't afraid to make his character quite unlikable sometimes. Allgood is also quite fine, doing an understated turn in an unusual role. The opening scene with Woolley as the drunk Santa was like the opening of the later MIRACLE ON 34TH STREET from the viewpoint of the drunk, and the way that sequence straddles the comedy/drama line is perfect. The title refers to the traditional starting time of Broadway plays. [DVD]
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