This soap opera story is a little more compelling than average, mostly due to the interesting directorial style, mostly gliding traveling shots and odd angles, of German director Joe May who seems to have been influenced at least slightly by Josef von Sternberg. Kay Francis is no Marlene Dietrich, Sternberg's muse, but she's very good here both as the young wife led astray in the flashback and as the sadder but (theoretically) wiser woman in the present day. Rathbone can do a slimy cad in his sleep and he's fine, as is Jane Bryan even though she really only has two facial expressions: mildly happy and mildly distraught. Ian Hunter is Francis' cuckolded war-hero husband; Donald Crisp is the judge; Veda Ann Borg steals a scene without even speaking as one of Rathbone's bimbos. Apparently this is a scene-by-scene remake of a German film called Mazurka. [TCM]
Thursday, February 06, 2014
CONFESSION (1937)
This soap opera story is a little more compelling than average, mostly due to the interesting directorial style, mostly gliding traveling shots and odd angles, of German director Joe May who seems to have been influenced at least slightly by Josef von Sternberg. Kay Francis is no Marlene Dietrich, Sternberg's muse, but she's very good here both as the young wife led astray in the flashback and as the sadder but (theoretically) wiser woman in the present day. Rathbone can do a slimy cad in his sleep and he's fine, as is Jane Bryan even though she really only has two facial expressions: mildly happy and mildly distraught. Ian Hunter is Francis' cuckolded war-hero husband; Donald Crisp is the judge; Veda Ann Borg steals a scene without even speaking as one of Rathbone's bimbos. Apparently this is a scene-by-scene remake of a German film called Mazurka. [TCM]
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