Though I don’t see this as a film noir as some critics do, this is definitely a solid woman-in-peril thriller in the mold of NIGHT MUST FALL—young psychopath terrorizes older woman—but with a couple of interesting twists. The first is that Teddy misreads the situation in the beginning, leading to the murder of Monica—it's based on a play called Murder Mistaken; if he hadn't been so quick to assume, he would have been in clover for the rest of his life. The second twist is that Freda is no naïve and helpless damsel; she's aware that Teddy might have ulterior motives, and she goes into the marriage as something of an arrangement rather than "true love." The third twist is that there is more to Charlotte than meets the eye. The look of the film (inky shadows, odd angles) is probably what gets it called a noir, but Bogarde (pictured) is no anti-hero, he's a bad guy, plain and simple, though a charming one. He gives a strong performance, but Lockwood is every bit his equal. The only other notable performance comes from the reliable character actress Kathleen Harrison as Monica's (and then Teddy's) maid. A very good thriller, recommended. [TCM]
Monday, April 14, 2014
CAST A DARK SHADOW (1955)
Though I don’t see this as a film noir as some critics do, this is definitely a solid woman-in-peril thriller in the mold of NIGHT MUST FALL—young psychopath terrorizes older woman—but with a couple of interesting twists. The first is that Teddy misreads the situation in the beginning, leading to the murder of Monica—it's based on a play called Murder Mistaken; if he hadn't been so quick to assume, he would have been in clover for the rest of his life. The second twist is that Freda is no naïve and helpless damsel; she's aware that Teddy might have ulterior motives, and she goes into the marriage as something of an arrangement rather than "true love." The third twist is that there is more to Charlotte than meets the eye. The look of the film (inky shadows, odd angles) is probably what gets it called a noir, but Bogarde (pictured) is no anti-hero, he's a bad guy, plain and simple, though a charming one. He gives a strong performance, but Lockwood is every bit his equal. The only other notable performance comes from the reliable character actress Kathleen Harrison as Monica's (and then Teddy's) maid. A very good thriller, recommended. [TCM]
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