For a one-hour movie, a lot of things happen here, so the pace is relatively frantic, which is fine as the tone is light. Parkyakarkus, father of Albert Brooks, is first billed and he's basically a dialect comic who keeps messing up the language, as in, "I resemble that remark." In the beginning, his comic relief is a pain in the ass since I found the plot and other actors fairly interesting, but in the last half, his role diminishes greatly. Lee Patrick plays Marge's roommate, and Jack Carson and Cecil Kellaway have small roles. B-starlet Woodbury is serviceable, but Jones and Lane (pictured above) work very well together, and make the film worth seeing. They have an easy camaraderie and never fall into straight man/funny man roles—they can both be both. A breezy little gem; it's a shame that Lane (who had a long career as Rocky Lane in B-westerns) and Jones (who went on to play the Green Hornet in a 1940 serial) weren't paired up for more of these. [TCM]
Monday, December 15, 2014
NIGHT SPOT (1938)
For a one-hour movie, a lot of things happen here, so the pace is relatively frantic, which is fine as the tone is light. Parkyakarkus, father of Albert Brooks, is first billed and he's basically a dialect comic who keeps messing up the language, as in, "I resemble that remark." In the beginning, his comic relief is a pain in the ass since I found the plot and other actors fairly interesting, but in the last half, his role diminishes greatly. Lee Patrick plays Marge's roommate, and Jack Carson and Cecil Kellaway have small roles. B-starlet Woodbury is serviceable, but Jones and Lane (pictured above) work very well together, and make the film worth seeing. They have an easy camaraderie and never fall into straight man/funny man roles—they can both be both. A breezy little gem; it's a shame that Lane (who had a long career as Rocky Lane in B-westerns) and Jones (who went on to play the Green Hornet in a 1940 serial) weren't paired up for more of these. [TCM]
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