This is a decent noir-style thriller with a good performance by John Mills (what other kind did he give?) as the lead making it worth watching. The script, based on a novel by Eric Ambler, is a little dicey, with a slackening of tension now and then. The various boarders are interesting—in addition to Kay Walsh as Molly, Edward Chapman as Peachy, and Joyce Carey as the gossip, there's also George Benson as a guy who remains friendly to Jim throughout, and Catherine Lacey as the landlady. Joan Greenwood has the relatively thankless role of the girl friend, and Mills' real daughter Juliet has the small role of the child on the bus. The confrontation scene between Mills and the killer, which comes about 2/3 of the way through, is very good, but there is a distinct falloff from there to the predictable ending. OK, but not a must-see. [Netflix streaming]
Thursday, July 23, 2015
THE OCTOBER MAN (1947)
This is a decent noir-style thriller with a good performance by John Mills (what other kind did he give?) as the lead making it worth watching. The script, based on a novel by Eric Ambler, is a little dicey, with a slackening of tension now and then. The various boarders are interesting—in addition to Kay Walsh as Molly, Edward Chapman as Peachy, and Joyce Carey as the gossip, there's also George Benson as a guy who remains friendly to Jim throughout, and Catherine Lacey as the landlady. Joan Greenwood has the relatively thankless role of the girl friend, and Mills' real daughter Juliet has the small role of the child on the bus. The confrontation scene between Mills and the killer, which comes about 2/3 of the way through, is very good, but there is a distinct falloff from there to the predictable ending. OK, but not a must-see. [Netflix streaming]
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