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This is labeled film noir mostly because it was directed by Anthony Mann (T-MEN, RAW DEAL) and because the cinematography (by John Alton) is full of deep shadows, though most of it was shot not in the city but the desert and there is no real femme fatale—excepting one deceitful woman, a minor character though crucial to the plot. To me it feels more like a crime film, and a surprisingly brutal one for the time. There's a realistic scene of torture, and the death of one character in an open field, run over by a plow, is startling and may have influenced a similar scene in the Coen Brothers' BLOOD SIMPLE. The movie opens well, with a scene of unlucky braceros being attacked at night, then takes a turn toward the Dragnet-like documentary style police procedural and soon the film bogs down a bit as the plot machinations get set up. But the last half-hour sets things right again. Performances are solid, with the honors going to bad guy Da Silva and his sadistic right-hand man Charles McGraw. Also with familiar supporting actors Sig Ruman as a German barkeep who is involved with the smugglers and John Ridgely as a U.S. agent. If you can stick with it through the slow middle section, you'll be rewarded with a strong climax. (Pictured are Da Silva, McGraw and Montalban) [TCM]
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