Film noir in look if not in details, this is a slow-moving crime tale which benefits from a mildly exotic setting and a slam-bang ending which plays out against a nighttime fireworks display. Taylor, whom I rarely find appealing, is at his most wooden and artificial here, and though Gardner tries hard, there is zero chemistry between the two. Often when the leads are inadequate, I can find some positives in the supporting cast, but not so much here. Laughton (pictured behind Gardner) is usually reliable, hamming it up if he thinks he's slumming, but here he can't even bring himself to show any real interest in his character. Price is a little better, but his role is fairly small. Hodiak, an actor I'm not crazy about, is pretty good as a guy who's basically given up on life when the movie begins, and goes downhill from there. The noir elements are mostly visual, though Gardner's character is a kind of half-hearted femme fatale. It has its moments but overall, not recommended. [TCM]
Wednesday, May 04, 2016
THE BRIBE (1949)
Film noir in look if not in details, this is a slow-moving crime tale which benefits from a mildly exotic setting and a slam-bang ending which plays out against a nighttime fireworks display. Taylor, whom I rarely find appealing, is at his most wooden and artificial here, and though Gardner tries hard, there is zero chemistry between the two. Often when the leads are inadequate, I can find some positives in the supporting cast, but not so much here. Laughton (pictured behind Gardner) is usually reliable, hamming it up if he thinks he's slumming, but here he can't even bring himself to show any real interest in his character. Price is a little better, but his role is fairly small. Hodiak, an actor I'm not crazy about, is pretty good as a guy who's basically given up on life when the movie begins, and goes downhill from there. The noir elements are mostly visual, though Gardner's character is a kind of half-hearted femme fatale. It has its moments but overall, not recommended. [TCM]
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