![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7GCp1QFgrLlE4Z0hupCL62kIFsqCAOdcodWTda-3A8dBKxWwjQh3cxMYnWgUAJckk7TPt9R6Vs6GB-tJ61lykeutilDD3ODd11wdv7rXx9Qm2BLVOH3kzu3o53_FMsqs2l8Ax-Q/s200/way+way+out01.jpg)
I'm not really a Jerry Lewis fan, but he's going to be on Turner Classic Movies cruise I'm going on next month, so I thought I should prepare by trying to catch a couple of his movies. I like THE NUTTY PROFESSOR, but I have never taken to his more slapsticky, "Hey, Ladyyyyyy" performances. In this film, he is subdued—his character is a mild playboy figure, though not as extreme as Buddy Love in PROFESSOR—but the surrounding movie is nothing more than an extended riff on sexual frustration. At the time of release, some of this may have seemed almost daring—for example, the Russians are co-habiting but are not married—but now much of it just seems cutesy-smutty. Lewis is bearable, Stevens is appropriately sweet, and Robert Morley is good as their NAWA boss. The rest of the performances are all over the map. Morris and Weaver have good chemistry as the battling men (their fisticuffs scene is a highlight), though Morris is a bit over-the-top sometimes in his near-drooling horniness. Ekberg fulfills her role (to be hot) well; Shawn, also not one of my favorites, is generally OK. What I really liked about this movie, however, is the production design. It's a perfect colorful 60s view on what the future would look like. Watch for a young James Brolin in the opening scenes. Harmless but mostly recommended to fans of either Lewis or of 60s sex farces. Pictured above are Weaver and Lewis. [FMC]
No comments:
Post a Comment