
In addition to being a pale CASABLANCA copy, this film also derives from the well-used plotline of people (usually white Americans or British in a foreign country) who are massed together in a small space facing attack from an outside force (usually non-white natives or Communists). As such, this works fairly well. The sets for the hotel and the palace are both evocative and effective, and though the sets are large, a sense of claustrophobia does sink in near the end. But Alan Ladd is no Humphrey Bogart, or, to be fair, Steve Gibbs is no Rick Blaine. Ladd is not as expert as Bogart at presenting subtle flashes of evolving character, and Gibbs is not especially well fleshed-out in the screenplay. Kerr is bland as his love interest—and their romance seems pushed along by genre dictates, not naturally out of character interaction. Boyer, however, is quite good as the somewhat ambiguous Singh—for a time, I couldn't tell if he was truly a man of principle or a scoundrel looking out for himself—and in fact, it is Singh who becomes the pivotal figure in the story. Kellaway is good doing his usual riff on the slightly whimsical but ultimately down-to-earth father figure. Fine work is also done by Corinne Calvert as the French woman of loose morals, John Williams as the chief spokesman for the British guests, and young Marc Cavell as Moti. The first half is a little slow to get going, but the thrilling climax helps make up for that, and for the shortcomings of Ladd and Kerr. [Streaming]
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