Noted jazz pianist Tom Stewart (Richard Carlson) is renting a beach bungalow on a resort island. He spends a lot of his free time in a deserted lighthouse while he prepares for a big concert performance, and for his marriage to his wholesome sweetheart Meg. Unfortunately, one night his old flame, sexy nightclub singer Vi Mason (Juli Redding), sneaks onto the island and threatens to expose their sordid past if he doesn't call the wedding off. They discuss the issue up in the lighthouse, and when the railing gives way, Vi falls. Grasping on with one hand, she begs Tom to save her; he reaches out but pulls back and she falls to her death. Soon, Tom feels haunted by Vi's ghost: seeing her body in the water, he carries it to be the beach but it turns to seaweed; his wedding ring goes missing; Vi's watch appears in his house; phantom footprints walk next to him on the beach; a record of Vi singing a song called "Tormented" plays even after Tom takes it off the phonograph; creepiest of all, her disembodied hand and head pop up from time to time. Soon everyone notices Tom's a little off; not just Meg but Meg's kid sister Sandy (Susan Gordon) and the good-natured—but nosy—blind landlady (Lillian Adams). Despite Tom's odd behavior, and despite her father's dislike for Tom, Meg insists on going through with the wedding, but the arrival on the island of an unsavory character (Joe Turkel) who brought Vi over from the mainland and wonders what's happened to her changes Tom's plans.
I discovered this low-budget thriller from Bert I. Gordon when it was mocked on Mystery Science Theater 3000; their version is lots of fun, but I have come to appreciate the movie on its own merits. Part of the fun is figuring out if there really is a ghost or if a guilty Tom is just losing his mind—though he definitely wants Vi out of the way, he doesn't plan on killing her, and when she does die, he doesn’t directly cause it, he just pauses long enough in helping her that she loses her grip. His guilt here isn't strictly speaking based on him breaking a legal code but a moral code. Some critics say Carlson's performance is on the wooden side, but I think he does a nice job sliding back and forth between acting distracted because of guilt and feeling that his relationship with Meg and her sister will somehow redeem him. Is there a ghost? By the wedding scene near the end, you'll probably have decided, but until then, it's a toss-up. The other actors don't give Carlson much support: young Susan Gordon, only 11 at the time, is OK but tries a little too hard in her more melodramatic moments—possibly the fault of her dad, the director. Lugene Sanders is pretty bad as Meg, so much so that I wondered why Tom didn’t run off with Vi (the answer: Meg's family has money). Juli Redding is fine in her limited screen time as Vi, and Lillian Adams as the blind lady who is the first to figure out what might be going on, is serviceable. Joe Turkel, fine as the young tough who tries to blackmail Tom, went on to cult fame as the ghostly bartender in THE SHINING and as Dr. Tyrell in BLADE RUNNER. The wedding scene plays out nicely but feels truncated (did what we see really happen or was it all in Tom's mind?) so we can rush to the climax, back in the lighthouse. If you're in the mood for a Chiller Theater B-movie, this will do nicely. But also go ahead and catch the MST3K version as well. Pictured are Carlson and Redding in the flesh (at top right) and with Redding in ghostly form. [DVD]
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