Wednesday, December 06, 2017

WATUSI (1959)

H. Rider Haggard's character Allen Quatermain is an adventurer who appeared in several stories and novels beginning in the 1880s. He was surely an inspiration for Indiana Jones, and some may know him today as a character in the League of Extraordinary Gentlemen. But his most famous exploit was probably as a hunter of hidden African treasure in King Solomon's Mines which has been adapted to the screen a few times, most notably in 1950. The main character in this film is Harry, Quatermain's son (George Montgomery), who comes back to Africa in 1919 to find the fabled gems of King Solomon's mines. He seeks out his father's guide Rick (David Farrar) to help him. Rick has sunk into a life of lazy monotony but quickly regains the taste for adventure. When Rick cautions Harry about the dangers ahead, Harry shows him a medallion with a green gem that was given to his father by a Watusi chief which he assumes will ease his way across the land of the Watusis. Along the way, they rescue Erica (Tania Elg), the daughter of a missionary, from a native attack and she joins their trek, though when it comes out that she is German, Harry gives her the cold shoulder; he hates Germans because his wife and child were killed in a U-boat attack during the war. The group endures mosquitoes and an animal stampede, but it isn't until Harry gets deathly sick with fever and Erica nurses him back to health that the two become chummy, though by that time Rick has also fallen for Erica. Eventually they reach the site of the legendary treasure, a mountain with a series of caves filled with molten lava. Will they find the gems, and if so, will they survive the mountain and the romantic triangle?

I've not yet seen a version of King Solomon's Mines, but apparently this MGM B-film (more a sequel than a remake) makes extensive use of footage from their 1950 version, and it's fairly obvious; whenever lots of animals appear or when the film gets a little dingy and damaged, that means 1950 footage. At times it's well integrated but also sometimes jarring. Otherwise, this is largely a Tarzan movie without a Tarzan. George Montgomery (pictured) fulfills his B-movie action hero requirements fairly well: he's handsome, he's occasionally shirtless, he shoots at bad guys, leaps across fiery chasms, and (eventually) romances the woman. Farrar and Elg are fine, and it's fun to see Dan Seymour, Rick's doorman in CASABLANCA, in a small role. If you like the 50s Tarzan films, this is for you. [TCM]

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