Wednesday, January 16, 2019

DAMON AND PYTHIAS (1962)

In 400 B.C., the city-state of Syracuse is under control of the dictator Dionysius. Currently, he is hunting down members of the Pythagorean cult, who believe in pacifism and the unity of all men as brothers, a view Dionysius sees as dangerous to his rule. When one fawning informer tells the nobleman Cariso that he is a friend, Cariso has him killed, saying "When a slave can call a master a friend, this world has ended." The roguish Damon (Guy Williams) plays both sides, accepting money to inform on the whereabouts of Arcanos, a Pythagorean leader, then going to Arcanos and telling his group to flee. In Athens, the leader of the Pythagoreans has died and Pythias (Don Burnett) is sent to bring Arconos back to replace him, though his pregnant wife Nerissa is upset to the point of illness about him leaving. In Syracuse, Damon robs Pythias, but then Pythias hires him to track down Arcanos. Though the two become friendly, Damon betrays Pythias to Cariso, but when Pythias gets the best of him in a fight, he refuses to kill Damon because of his pacifist beliefs, and Damon ultimately offers himself as a potential sacrifice. When Damon asks to be released briefly to visit his wife, Damon offers to be kept prisoner in his place, to be killed if Pythias doesn't return. Has Damon become a Pythagorean? Will Pythias keep his word? And if he does, will Cariso be able to delay his return long enough to have Damon killed?

Though based on an Greek legend, this movie is clearly comparing the Pythagoreans to early Christians, presenting them as a persecuted group preaching peace and love, hiding in the shadows and using a symbol to identify themselves to each other (not the cross, but a five-pointed star in a circle). The film was marketed as a sword-and-sandal adventure movie but, though there are some chases and fights (and sandals), this works more as a movie about religious persecution, like SIGN OF THE CROSS without nudity or sadism. The fabled friendship of the title characters could use some beefing up. There's a scene early on in which it looks like Damon is going to invite his new friend to be part of a threesome with his girlfriend—but no, they just all go to sleep—but their friendship is portrayed as rather shallow, and it comes as something of a surprise when Damon makes his offer to be a potential sacrifice for Pythias. Guy Williams (TV's Zorro, though I know him best as the dad on Lost in Space) does a nice job as the rogue who converts to a believer in brotherhood; Don Burnett is less effective, a little wooden and passive. If you come to this looking for beefcake, you'll be disappointed; though tunics are worn, there are no bare chests and not much in the way of muscle—Williams would be better described as a little on the beefy side rather than muscular. Still, a nice change of pace for the genre. I was disappointed that TCM showed a pan-and-scanned print even though a widescreen version is available on DVD from Warner Archive. [TCM]

2 comments:

Rick said...

A very good film from a ancient story. Just wished that I could find a good quality copy of the film. Every print looks worn out, color faded and red.

Gilgamesh said...

I love this movie and think that given a bigger budget (although they do a good job with their budget) they could have made it a Hollywood epic... though they wouldn't have cast Guy Williams or Don Burnett if they did, so it works out.

I am sure people don't appreciate the casting of Williams in this movie enough. I love seeing the Sicilian-American, whose parents were from Messina, play a Sicilian (an ancient Sicilian makes it even better) which lends an air of authenticity to his looks. I'd actually love to film a movie about ancient Sicily starring Sicilian actors from Italy and perhaps from the US too - it would be fun casting Al Pacino as someone like Archimedes!