Saturday, March 26, 2005

BEN-HUR (1925)

Not the award-winning Charlton Heston movie, but the silent film on which the 1959 remake was based. It's been a long time since I've seen the later film so I can't really do much direct comparison except to say that both cost a lot of money to make and both were big box-office hits. It's subtitled "A Tale of the Christ," and is indeed bookended by the Nativity and the Crucifixion, but it's really the tale of Judah Ben-Hur, the latest in a long line of Jewish princes. With Roman tyranny worsening, the Hur family riches are spirited away by the loyal slave Simonides. Judah (Ramon Novarro) meets up with boyhood pal Messala (Francis X. Bushman); at first, their reunion is friendly, but it becomes clear that Messala has become a ruthless Roman through and through, and when a stone falls from the Hur balcony and injures the new Roman governor, Messala has Judah, his mother, and his sister arrested. The women languish forgotten in prison, becoming lepers, and Judah becomes a galley slave on a Roman ship. His bravery during a pirate raid leads his "boss" to adopt him and he becomes renowned as a great athlete, but is still a tortured soul as he searches for not only his family but also his missing fortune. Along the way, he rides in a chariot race against Messala, finds his family, falls in love with Esther (May McAvoy), daughter of Simonides, and becomes a follower of Jesus Christ. The first half of the movie is fast-moving and mostly great fun; the last half is slower going, and the ending, after the Crucifixion, is rather anti-climactic. Most of the acting is a little less stagy than the usual silent acting type, though Novarro and the women who play his family members do have their overboard moments. It helps that Novarro is handsome and that the sets are spectacular. The big setpieces--the sea battle and the chariot race--are impressive, as are the Technicolor scenes inserted periodically, and the opening Nativity scene is also nicely done, looking like a procession of animated religious postcards. It's a little odd that we never actually see Christ, just his hand or his feet or his glow. Good Easter season viewing, and a great opportunity to see a famous silent star at the peak of his powers and popularity. [TCM]

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