Legendary tap dancer Bill Williamson (played by legendary tap dancer Bill Robinson) has retired but when he sees that he is the subject of a tribute in Theatre World magazine, he begins reminiscing about his early days. In WWI, he was a member of a military band, and one night at a servicemen's club, just after returning from overseas, he meets the lovely singer Selina Rogers (Lena Horne). They dance together and she suggests that he stay in New York to become a professional dancer, but he plans to head back to Memphis so they part ways. In Memphis, he winds up waiting tables and one night, Selina and her manager & boyfriend Chick come into the club looking to hire some new talent. Selina suggests Bill, but jealous Chick has noticed the sparks between Selina and Bill and only reluctantly hires him as essentially a chorus boy. Soon, however, Bill has taken the spotlight, left Chick, and with help from Selina and his old friend Gabe (Dooley Wilson), becomes a famous performer. But when Bill decides he wants to leave the business and settle down, Selina says she loves her career and refuses to join him. Years pass and, back in the present, at the start of WWII, they meet up again. Will they be able to patch things up and be together again?
Like many big studio musical revues of the era, this film's thin plot is just an excuse for a parade of production numbers, the only difference being that this has an all African-American cast. Thanks largely to Lena Horne, this is worth sitting through despite narrative problems, the biggest one being that Horne doesn't age a day between WWI and WWII, though Robinson does. But you can't argue about that when Horne is singing, especially "I Can’t Give You Anything But Love, Baby" and her signature tune, "Stormy Weather," which here becomes a very elaborate production number. Happily, there's also Fats Waller doing his hit, "Ain’t Misbehavin'," a zoot-suited Cab Calloway having fun with "Geechy Joe," Mae Johnson singing “" Left My Sugar in Salt Lake City," Robinson highlighting a show-stopping African dance number, and the always amazing Nicholas Brothers doing one of their athletic dances to "Jumpin' Jive." I wish there was more of Dooley Wilson (Sam in Casablanca) who mostly provides comic relief. The Blu-ray disc from Twilight Time is sharp and sparkling. [Blu-Ray]
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