Friday, January 24, 2020

THE HOUR BEFORE THE DAWN (1944)

In 1923, young Jim Hetherton is target shooting when he accidentally shoots his dog. The event is so traumatic that even as an adult, Jim (Franchot Tone) remains adamantly against killing, so in 1938, when war comes to England, Jim registers as a conscientious objector to avoid being forced to take a life. His grandfather respects his decision, though he warns Jim that he may have a tough time of it, and indeed, he is forced to stop teaching and must find work helping out on local farms, replacing the young men who are off at war. Jim's brother Roger and his wife May have brought a young Austrian refugee named Dora (Veronica Lake) to live at the Hetherton country estate, and Jim has fallen in love with her. What none of them know is that she is actually a Nazi spy who travels to town periodically to pass information on to her handlers. When, as a German, she is threatened with detention in an internment camp for the duration of the war, Jim marries her. Eventually, Dora discovers that there is a small hidden airfield near the Hethertons and she attempts to light a fire one night in order to draw German planes to the area, but her plans are foiled. Before long, she gets another chance; this time, she plans on setting a fire in the house, but when May's young son discovers her, will she resort to murder to accomplish her mission? The other question: if Jim discovers her sabotage, will he give up his pacifism and become an executioner?

For some reason, this Paramount film (not quite glossy enough—or long enough—to be an A-film, but a little too classy to be a B-film) never seems to have gotten a home video release so I watched a less-than-ideal YouTube print. When I first realized that sultry Veronica Lake was playing the villain, I thought she'd give a laughable performance, but she's really quite good, as good as anyone else in the cast. Her hair is up and braided so she no longer has the peek-a-boo style that made her famous, and it took me a few minutes to recognize her. I've always found Tone to be a fairly bland actor, and he remains so here, but I suppose that fits the stereotype of the wartime pacifist. Binnie Barnes has a couple of good moments as the big city sister-in-law. She gets my favorite line: "Give me a whisky—and don’t drown in it in soda or I’ll murder you!" John Sutton is fine as Roger (I sort of wish he and Tone had switched roles), as is Henry Stephenson as the grandfather. Nils Asther has a small role as one of Dora's handlers. Coming out in 1944, it was a bit late in the game to be an effective propaganda piece, but it works well enough as a spy thriller, with a satisfying, if predictable, ending. Pictured is Lake in a studio publicity shot. [YouTube]

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