Saturday, April 18, 2020

THE PATHFINDER (1952)

In 1754, England and France are tangling over American land around the Great Lakes, and there is bad blood between two Indian tribes: the Mohicans who have sided with Britain, and the more militant Mingos who are with France. The Mingos attack a Mohican village, killing everyone except a child named Uncas. Chingachgook, a Mohican brave, is spared because he was off with his friend, the white man called Pathfinder, who was raised by the Mohicans. War is declared (which came to be known as the French and Indian War) and the British ask Pathfinder to serve as a spy with the French-speaking Welcome Alison as interpreter. At the French camp, Pathfinder and Chingachgook offer their services to the French as scouts, and Welcome uses her feminine wiles to find out some important information about a coming supply train that Pathfinder plans to stop before it gets to camp. But who should show up to join the French than Capt. Bradford, Welcome’s former fiancĂ© who went off with an Indian maiden. When he threatens to blow Pathfinder's cover, a new plan must be put in place.

Everything I know about the books of James Fenimore Cooper comes from the movie THE LAST OF THE MOHICANS in which Uncas and Chingachgook are characters. I also know that Pathfinder is named Natty Bumpo but he is never called that here. I can't speak to the movie's fidelity to Cooper—or to its portrayal of the French and Indian War—but I can say that this is a generally enjoyable time-passing adventure of Colonial America. George Montgomery (pictured), a pleasing B-lead actor, is fine as Pathfinder, and Helena Carter (no relation to Helena Bonham Carter), who had a fairly short career in B-films, is fine as Welcome. Jay Silverheels (Tonto on the Lone Ranger TV show) has little to do as Chingachgook, and Bruce Lester is appropriately slimy as Bradford. This is one of those little movies that has almost completely fallen between the cracks, having apparently left very little impression on anyone at the time of its release. I watched it because I'm a fan of Montgomery, but otherwise this is probably best viewed on a couch, with your feet on the coffee table, on a lazy Saturday afternoon. [TCM]

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