The Man from UNCLE was a spy series that ran on network television for four seasons in the mid-1960s at the height of the spymania occasioned by the James Bond movies. It still has some currency in popular culture, having been made into a big-budget film in 2015. During its initial run, eight feature films were released, each combining two episodes of the show with some added footage. Though a few were released as drive-in double features in the US, most were intended for European audiences. In the past I have avoided watching these, assuming they wouldn't be up to snuff as movies, but this one proved to be quite fun. At an amusement park pier, Napoleon Solo (Robert Vaughn) and Ilya Kuryakin (David McCallum), secret agents for the spy organization UNCLE, chase agents from the evil organization THRUSH and wind up bruised and battered from a car chase. Their boss Waverly (Leo G. Carroll) sends them to Italy to infiltrate a winery owned by Louis Strago that is being used as a cover for a plan by Von Kronen, a Nazi scientist who has invented a way to alter the Gulf Stream which would turn Greenland into a tropical home for remaining Nazis and at the same time would bring crippling blizzards all year round to much of the United States. During a street festival, Solo and Ilya wind up in a gunfight with THRUSH men; Ilya escapes but Solo is wounded and is cared for by the lovely young Pia and her mother. Solo leaves but winds up back in Pia's bedroom, hiding under her bed for a night. Pia's mother considers this a disgrace and insists the two get married. Solo manages to leave, and he and Ilya follow Von Kronen and Strago back to the States where they have to deal with Pia's three elderly uncles, all former gangsters, who plan a literal shotgun wedding for Solo and Pia. Eventually the action moves to Strago's private island with Pia kidnapped and the gangsters joining the UNCLE agents to get her back, and to stop the Gulf Stream device from being set off.
Like most spy franchises of the era, the UNCLE show wound up being played mostly for campy laughs. This film, while often amusing, isn't quite campy, exactly. The closest it comes is the performance of Jack Palance as Strago; he plays the character as an outwardly butch but tightly wound and inwardly nervous villain, and perhaps sexually repressed as well—his comically negative reactions to the sexiness of Janet Leigh, playing his THRUSH assistant, suggest the 60s idea of a gay man burying his sexuality. Some viewers don't like him but I think he gives the movie a nice jolt, not quite serious but not quite campy. Leigh is also very good as the sexy agent who carries a knife under her miniskirt and turns against Strago when he threatens her future employment, telling her boss (the green-hatted man of the title) that she's no longer an asset. Watch for her mildly orgasmic reactions after she kills people. Vaughn, McCallum (both pictured) and Carroll, old hats at their characters, are fine. Classic movie fans will enjoy the presence of Eduardo Ciannelli, Allen Jenkins and Jack LaRue as the uncles, along with Maxie Rosenbloom, Joan Blondell, Elisha Cook, and Ludwig Donath. Much more entertaining than I had assumed it would be. [TCM]
1 comment:
These movies showed up on UK tv pretty much all the way through the 70s, 80s and early 90s. They're pretty much all very entertaining.
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