Tuesday, April 11, 2023

LURE OF THE WILDERNESS (1952) / SWAMP WATER (1941)

Usually when I review an original film and a remake, I consider the original the basic beginning point and reference the remake from that film, but in this case, I saw LURE first and SWAMP a few days later, so since LURE feels like the base to me, I’ll start with that. In 1910 in the Okefenokee Swamp in Georgia, Ben (Jeffrey Hunter) and his father Zack (Tom Tully) are part of a search party looking for two trappers who disappeared into the dangerous swamp, full of alligators and cottonmouth snakes. Ben's hunting dog Careless jumps out of the canoe and into the swamp, and that night, against his father's orders, Ben takes off into the swamp to look for the dog. He finds the dog, but is then knocked unconscious. When Ben comes to, he finds he is being held prisoner by fugitive Jim Harper (Walter Brennan), who has been in hiding in the swamp because of a murder rap from years ago, and his daughter Laurie (Jean Peters). Laurie wants to kill Ben to prevent him from bringing the law in after them, but Ben promises he won't. Jim insists that one of the killings was in self-defense, but the other one was committed by the lowlife Longden brothers. Ben stays with them for a whole and, despite Laurie's attitude, Jim can see that an attraction might develop. Taking their side, Ben decides to do some trapping with Jim, and sell the pelts in town to raise money for a lawyer for Jim. But when Ben gets back to town, things get complicated: Zack kicks him out of the house, and Ben winds up torn between his gal Noreen and his swamp gal Laurie. The Longden brothers figure out what's going on and pile on Ben, practically drowning him in the river until Zack saves him and son and father are reconciled. But when Jim and Laurie start to doubt Ben's intentions, it's unclear if justice will be done or if Ben and Laurie can make it together in civilization. Pictured are Peters and Hunter.

Though no masterpiece, this is an enjoyable backwoods melodrama, with nice use of Technicolor and effective location shooting in and around the swamp. The outrageously handsome Jeffrey Hunter, who might seem too lightweight for the lead, is quite good, and given that he is in almost every scene, carries the film well. Brennan doesn't stray far from his rural persona, Peters is a bit on the bland side but works well with Hunter, and the rest of the cast more or less fades into the background, with Jack Elam recognizable as one of the brutal Longden brothers. The 1941 version, from acclaimed director Jean Renoir, is visually more artfully done, in moody black & white, and features Walter Brennan as the same character (named Tom here). A young Dana Andrews is Ben—he's not as good-looking or as confident as Hunter but he's fine. Anne Baxter bests Jean Peters as the daughter (named Julie), though the character is presented differently; here, she has not gone into the swamp with her father, but instead lives in town, taken care of by the general store owner. Walter Huston delivers his usual commanding performance as Ben's father, with their reconciliation scene carrying a bit more emotional weight here. Ward Bond and Guinn Williams are effective as the villainous brothers. There was apparently some location shooting in the Okefenokee for this version. Here, the dog's name is Trouble, and there is a melodramatic subplot involving John Carradine as a slimy fellow who is out to court Huston's wife. Parts of LURE are shot-for-shot reproductions of scenes in SWAMP WATER, and SWAMP is definitely the more atmospheric film, but LURE has its considerable pleasures. Pictured at left is Andrews entering the swamp. [Criterion Channel]

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