Thursday, November 02, 2023

WHITE SHADOWS IN THE SOUTH SEAS (1928)

The Marquesas Islands, we are told in intertitles, are an "earthly" paradise reminiscent of the "morning of Creation, fresh from the touch of God," until white men cast their "withering shadows" as they began bringing civilization there. On an island where "civilization" has meant the natives working for white Europeans as pearl divers, the work is hard and often dangerous. We see a young diver get his foot caught in a giant clam. He gets to the surface but comes up too quickly and his lungs collapse. Matthew, the friendly but occasionally drunken doctor, tries to save him but is too late. As the boy dies, the white workers dance and drink nearby. After Matthew complains about the overseer's behavior, Sebastian, one of the chief traders, decides to get rid of Matthew. When a ship filled with bubonic plague victims comes into view, Matthew is sent to help, but instead he finds a ship of dead people. Sebastian has him tied to the wheel and the ship is sent out into a typhoon. Somehow, Matthew survives and is washed up on the shore of a small island that white men haven't discovered. He is attended to by the natives who remain a bit distant, especially when he starts paying attention to Fayaway, daughter of the tribe chief and "virgin bride" of the temple. But when Matthew uses his medical skills to save Fayaway's brother from drowning, the chief allows him to "look with love" upon her. Matthew's new existence is soon threatened when Sebastian and his men show up, looking to despoil yet another paradise with, as Matthew puts it, the "instincts of a ruthless race."

This was advertised as MGM's first sound picture; note that the word used is "sound," not "talking." The dialogue scenes are silent with intertitles, but music, sound effects, and background noises are dubbed in, along with one moment when a man calls out, "Hello," and we hear it. There's a lot of backstory to the production but it boils down to a clash between two directors, Robert Flaherty (mostly known for documentaries) and 'Woody' Van Dyke (known as One-Take Woody for his fast and cheap style). Flaherty was the director of record as filming started in Fiji, but he became frustrated with the attitude of the crew and quit, leaving Van Dyke to finish up. The movie doesn’t suffer for the conflicts, though the theme of wicked civilization versus untouched Eden is a bit heavy-handed. Monte Blue (pictured) is not terribly appealing in the lead role; he's fine when he's a dissolute drinker, but he's not quite up to the attempted heroics of the last half. Raquel Torres, maybe best known as the exotic femme fatale opposite Groucho Marx in Duck Soup, is fine as Fayaway. Fiji natives make up much of the supporting cast. Interesting viewing for silent movie fans. [TCM]

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