Friday, December 01, 2023

WINE, WOMEN AND HORSES (1937)

Barton MacLane and Ann Sheridan are old racetrack gambling buddies. When his losses pile up, Sheridan offers to take him out for dinner—she seems to have a thing for him though he is oblivious to it. But he feels like he's hit bottom and he hops a train for the small town of Barrowville to make a new start. He befriends Dick Purcell, another down-on-his-luck gambler and helps Purcell make his rent, so Purcell talks his family into taking MacLane in as a boarder. Even though Purcell's sister (Peggy Bates) is against gambling, she falls for MacLane and turns aside her longtime boyfriend (Walter Cassell) to marry MacLane, who gets a legitimate but boring job as a night clerk at a fleabag hotel. Soon, bored with the job, he starts gambling again, and gets a job taking care of horses at a new racetrack in California. When he promises to stay away from betting, Peggy agrees to move out west with him, but temptation is too great (as is the lure of becoming friendly with Sheridan again) and when MacLane starts gambling, Peggy, newly pregnant, moves back to Barrowville. Eighteen months pass and MacLane, down on his luck again, passes through Barrowville. He discovers that Peggy's baby has died and, though she's never gotten a divorce, she's hooked back up with Cassell. MacLane sticks around, discovers that Purcell is indulging in illegal off-track gambling, and brings home an injured racehorse to nurse back to health. By this time, I had no idea what would constitute a happy ending here. I just knew that second-billed Ann Sheridan (though not as big a star as she would become in a couple of years) would show up again, though who MacLane would wind up was a toss-up. This B-melodrama has tragic-ish overtones but stays fairly light. Constant outlandish plot twists aside, the weakest thing about this is Barton MacLane. I can tolerate him in supporting roles as a cop or a gangster, but he doesn't have the looks or charisma for a lead role, especially opposite someone as lively as Ann Sheridan. Dick Purcell is more interesting here, but even he has a hard time holding interest. Despite the plot machinations, this winds up being pretty rough to get through. Pictured are MacLane and Sheridan. [TCM]

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