On the run from the law after a bank robbery, Joe Maybe (Audie Murphy) sees lawman Jim Noonan fall to his death. Joe takes the man's horse and belongings, including his sheriff's badge (a star with a missing point). Moseying into the town of Webb City, he is challenged by crusty Judge Kyle (Walter Matthau) who is looking for Joe, but when he recognizes the badge, he assumes that Joe is Noonan, and talks him into staying around as the town's marshal. The next day, a saucy lass named Tessa (Gia Scala) arrives by riverboat and recognizes Maybe, whose last name she calls out. She recovers quickly by saying she called him "Baby," and the two pose as a married couple. Actually, she's in town to case the place for a bank robbery planned by her lover and old rival of Joe's, Sam Teeler (Henry Silva). During a celebration for the arrival of the railroad to Webb City, Teeler and his gang ride in, primed for robbery. Maybe is caught between two desires: getting in on the robbery or going straight and taking his lawman duties seriously. Tessa is also conflicted between the two men, especially because a young orphan boy has taken to Tessa and Joe and hopes to be adopted by them.
I like Audie Murphy quite a bit (RED BADGE OF COURAGE, THE QUIET AMERICAN), but this is the first western of his I've seen (and westerns were pretty much his specialty). It took a while to get used to him in Old West duds, and he lacks the gravitas that more traditional Western lead actors had—honestly, his persona here would have been a better fit in one of those B-westerns that were cranked out with assembly-line speed in the 30s and early 40s, maybe even as a singing cowboy. But I got used to him eventually, even though he was never really convincing as an outlaw, which dissipates the impact of his eventual redemption. Gia Scala is fine as his eventual romantic interest, though Silva makes for a somewhat weak bad guy. Eddie Little, as the orphan boy, gets a very nice moment near the end when he shows off his ability to wield a gun. This leaves Matthau (pictured above with Murphy) who is problematic here. Not quite 40 in real life, he is made to seem closer to 60 and he chews the scenery like mad, using an exaggerated drawl and often adopting a W.C. Fields accent, particularly noticeable when he actually says, "Never give the other guy an even break" (a rewording of the title of a Fields movie). It took me almost half the movie to get used to him, and I still think a subtler performance was called for here. But it seems likely that the filmmakers were going for a fairly light tone, as opposed to other westerns of the 50s which often emphasized darker psychological details, and Matthau does keep things light. At one point, we get a rather prosaic explanation of Joe's last name, devoid of the ambiguity that would have added depth to Joe's character. Not exactly a classic but enjoyable. [DVD]
1 comment:
Not sure if I've seen this, as some of the plot points sound familiar - if I have, it was probably about 40 years ago!
If you want to see Audie Murphy make a pretty good stab at a bad guy in a western, check out 'No Name On The Bullet'. He's no Olivier, but he's pretty good as what is basically a professional hitman, Wild-West style.
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