The walled city of Utor in the middle of the Egyptian desert is ruled by a king who is constantly on guard against invasion from a band of nomads anxious to get access to a natural spring in the city that gives abundant water, something that is hard to come by in the desert. During a storm, the queen goes into painful labor and just as she gives birth, a lightning bolt strikes her through the window, killing her but leaving her infant son not only alive but, as foretold by legend, invulnerable to any injury except from the "Red Flower," a term that none of the seers understands. The king hopes he will grow up to be Utor's invincible protector, but just after his birth, he is kidnapped by a treacherous handmaiden and taken to Seymuth, leader of the nomads, who raises him over the years as his son and names him Kindar. Twenty years later, Seymuth decides the time is right for an invasion of Utor, led by the grown Kindar, who is revealed to be invulnerable when Seymuth has a squad of men shoot arrows at him which bounce off his muscular chest. During their first attack, they manage to capture Nefer, lover of the king's other son, Ciro. When Ciro comes to rescue her, the nomads force him into a duel to the death with Kindar. It's a pretty good battle, with whips and rocks, and when Kindar prevails, he spares Ciro's life and allows her to take Nefer with him back to Utor. Eventually, Kindar discovers the secret behind his parentage, learning that he is Ciro's brother. The king of Utor tests him by putting him in a device called The Bride of Horus, basically an iron maiden torture device, and when he emerges unscathed, he joins up with Ciro and the king to battle the nomads. Seymouth decides that the "red flower" of myth is fire, and in the final battle, he plans to use fire to fight Kindar.
This is an engaging sword-and-sandal flick, and a bit of an outlier in that, though made by an Italian company with mostly Italian actors, it is set and partly shot in Egypt. There is no wicked queen with designs on our hero, no volcanos, and no gods (we discover that these people worship Horus though we don't get a backstory for the legends surrounding Kindar). There are, however, shirtless muscled men, bosomy women, a big city, and a shift in who we see as good and bad. Italian-American Mark Forest, star of several peplum films, is a solid handsome hero, though he is supposed to be 20 but looks much closer to his actual age of 30—and on a gay note, we see some of his assets delightfully displayed in his tight red leggings. After this film, he retired from movies and became an opera singer. Howard Ross (pictured, credited as Red Ross) as Ciro is also decked out nicely. Mimmo Palmara (Seymuth) is almost as hunky as the hero. Rosalba Neri (Kira) and Dea Flowers (Nefer) look their parts even if they have little to do except get in trouble or get others out of trouble. The suspense element of the Red Flower is not handled well—basically, Kindar just darts in and out of the flames in the final battle. But overall, a solid entry in the peplum genre. It's lovely to see a handful of shots with a real pyramid in the background, though the bulk of the movie was shot in Spain. [YouTube]
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